The intent of this dissertation is to increase recognition of prominent and lesser-known women, living and deceased, composing high-quality violin literature. This performance dissertation consists of three recitals featuring works for violin solo or chamber works including violin by twenty-two women composers, living and deceased, and program notes containing pertinent biographical and compositional information. Many shorter compositions were included in an attempt to give further recognition to as many women as possible. Although women composers are still outnumbered by men, it is evident that more and more women are becoming successful in their careers as composers. More women are being recognized by established institutions, having their works recorded, performed by major orchestras, and receiving honors and commissions. However, it is clear that much work is still to be done before women composers are to be given the same recognition as their male counterparts. It is my intention to not only make these works more accessible but also to bring to everyone’s consciousness the marginalization of women composers in the classical music field and increase awareness of the lack of effort on the part of presenters, organizations, and musicians towards gender equity. It is my hope that this dissertation will energize and mobilize others to create a level playing field on which women composers are fairly represented.