Sangam: A Confluence of Knowledge Streams

Message Journal, Issue 3: What is the topography of the contemporary graphic design / communication landscape in relation to art practice? What occupies the space between disciplines?

Show simple item record

dc.contributor Squire, Victoria
dc.contributor Jones, Peter
dc.contributor Dudley, Esther
dc.creator Multiple authors
dc.creator Barber, Craig
dc.creator Gale, Cathy
dc.creator Jasper, Daniel
dc.creator Kaiser, Zachary
dc.creator Richard, Miles
dc.creator Roberts, Spencer
dc.creator Spackman, Andrew
dc.date 2016-07-27T09:33:08Z
dc.date 2016-07-27T09:33:08Z
dc.date 2016-07
dc.date.accessioned 2022-05-26T19:08:14Z
dc.date.available 2022-05-26T19:08:14Z
dc.identifier Squire, V., Jones, P. and Dudley, E. (eds.) (2016) What is the topography of the contemporary graphic design / communication landscape in relation to art practice? What occupies the space between disciplines? Available at: https://pearl.plymouth.ac.uk/handle/10026.1/5117
dc.identifier 978-1-84102-411-0
dc.identifier http://hdl.handle.net/10026.1/5117
dc.identifier.uri http://localhost:8080/xmlui/handle/CUHPOERS/210861
dc.description <p>In Message journal issue 3 the refereed submissions explore further the boundaries between contemporary graphic design/communication and art, as well as examining what is occupied within the space between the disciplines.</p> <p>Authors, through written and illustrated submissions, question and investigate the broad nature of graphic design and communication practice and its relationship to art, in relation to both historical and contemporary contexts. The edition debates and illustrates how graphic design/communication can be seen as imaginative, intuitive and creative self (or group) expression – a form of artistic composition – in the same way that we recognise much of art practice. The edition examines practice outside of the conventional boundaries of contemporary graphic design/communication and considers how this space is occupied.</p>
dc.description <ol> <li>Graphic Affect – Spencer Roberts, University of Huddersfield.</li> <li>Indisciplinarity as Social Form: Challenging the Distribution of the Sensible in the Visual Arts – Richard Miles, Leeds College of Art.</li> <li>The Halsburgs: Alter Egos and Disciplinary Sidesteps - Andrew Spackman, Coventry University and Craig Barber, Norwich University of the Arts.</li> <li>Critical Design Practice: Mapping a New Territory for the Discipline (or Are We Nearly There Yet?) – Cathy Gale, Kingston University.</li> <li>Graphic Design as an Artistic Practice for the Unraveling of the Everyday – Zachary Kaiser, Michigan State University.</li> <li>Elements of Interrogative Style: The Applied Art of Critical Practice – Daniel Jasper, University of Minnesota.</li> </ol>
dc.language en
dc.publisher University of Plymouth Press
dc.subject Message
dc.subject Graphic design
dc.subject graphic communication
dc.subject graphic artists
dc.subject visual communication
dc.subject illustration
dc.subject typography
dc.subject art
dc.subject communication arts
dc.subject visual arts
dc.subject artistic practice
dc.subject critical design
dc.subject research
dc.title Message Journal, Issue 3: What is the topography of the contemporary graphic design / communication landscape in relation to art practice? What occupies the space between disciplines?
dc.title <b>Message Journal, Issue 3</b>: What is the topography of the contemporary graphic design / communication landscape in relation to art practice? What occupies the space between disciplines?
dc.type Magazine


Files in this item

Files Size Format View
Message-03-AW-Web-v5.pdf 53.08Mb application/pdf View/Open
Message Journal ... ions - Vol 3 July 2016.pdf 978.9Kb application/pdf View/Open

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Advanced Search

Browse