| dc.contributor |
University of Edinburgh |
|
| dc.contributor |
Wilson, Graeme |
|
| dc.creator |
Wilson, Graeme B |
|
| dc.creator |
MacDonald, Raymond AR |
|
| dc.creator |
Duff, Malcy |
|
| dc.creator |
Duncanson, Lindsay |
|
| dc.creator |
Gabrysch, Marek |
|
| dc.creator |
Green, Owen |
|
| dc.creator |
Keay, Cath |
|
| dc.creator |
Knox, Dawn Felicia |
|
| dc.creator |
Lloyd, Emma |
|
| dc.creator |
Lozano-Thornton, Dario |
|
| dc.creator |
Masson, Sheila |
|
| dc.creator |
Parr-Burman, Michael |
|
| dc.creator |
Robertson, Ali |
|
| dc.creator |
Stockbridge, Jamie |
|
| dc.creator |
Smith, Grant |
|
| dc.creator |
Wallder, Dan |
|
| dc.creator |
Williams, Sean |
|
| dc.date |
2015-07-28T11:45:30Z |
|
| dc.date |
2015-07-28T11:45:30Z |
|
| dc.date.accessioned |
2023-02-17T20:52:36Z |
|
| dc.date.available |
2023-02-17T20:52:36Z |
|
| dc.identifier |
Wilson, Graeme B; MacDonald, Raymond AR; Duff, Malcy; Duncanson, Lindsay; Gabrysch, Marek; Green, Owen; Keay, Cath; Knox, Dawn Felicia; Lloyd, Emma; Lozano-Thornton, Dario; Masson, Sheila; Parr-Burman, Michael; Robertson, Ali; Stockbridge, Jamie; Smith, Grant; Wallder, Dan; Williams, Sean. (2015). Meanings of Interaction Among Musicians Improvising (MIAMI), 2014 [sound]. University of Edinburgh. Edinburgh College of Art. Reid School of Music. https://doi.org/10.7488/ds/285. |
|
| dc.identifier |
https://hdl.handle.net/10283/830 |
|
| dc.identifier |
https://doi.org/10.7488/ds/285 |
|
| dc.identifier.uri |
http://localhost:8080/xmlui/handle/CUHPOERS/244029 |
|
| dc.description |
Post-genre improvisation is a key direction in current music, and is aligned with trends in other arts (e.g. performance and sound art, collaborative or process-based practice). Collective improvisation demonstrates a universal capacity for social, spontaneous and non-verbal creativity. Although the complexity of this unique artistic and psychological process is poorly conceptualised, it has parallels to discourse models of interaction, suggesting that insight can best be gained through close attention to how specific performance events are rationalised by performers.
This dataset consists of sound recordings of improvisations by five trios of free improvisers. They were recorded for a qualitative psychological study into the processes of group improvisation, carried out by Raymond MacDonald and Graeme Wilson (Reid School of Music, ECA, University of Edinburgh) in 2014. The recordings were used to structure subsequent individual interviews with the improvisers, exploring their understanding of the choices made during their piece.
Authors who publish using this dataset are required to add the data creators and artists credited on each separate recording as co-authors. Otherwise, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License terms apply. http://creativecommons.org/licenses/by-nc-nd/4.0/ |
|
| dc.description |
MIAMI Trio 1. Recorded Alison House by Kevin Hay; mixed by Sean Williams. Owen Green - bowed box; Emma Lloyd - violin; Sean Williams - analogue synthesiser [from Grey Area].
MIAMI Trio 2. Recorded Alison House by Kevin Hay. Malcy Duff & Ali Robertson – amplified objects; Grant Smith – electric guitar.
MIAMI Trio 3. Recorded Alison House by Kevin Hay. Marek Gabrysch, Dawn Knox & Sheila Masson [from Noize Choir- noizechoir.tumblr.com] – voice.
MIAMI Trio 4. Recorded Alison House by Kevin Hay. Lindsay Duncanson, Cath Keay & Dan Wallder [from Noize Choir - noizechoir.tumblr.com] – voice.
MIAMI Trio 5. Recorded in Newcastle Upon Tyne by Graeme Wilson (audio file from video recording). Dario Lozano-Thornton, Mike Parr-Burman - electric guitars; Jamie Stockbridge - alto saxophone. |
|
| dc.format |
audio/x-aiff |
|
| dc.format |
audio/x-wav |
|
| dc.format |
audio/x-wav |
|
| dc.format |
audio/x-wav |
|
| dc.format |
audio/x-wav |
|
| dc.format |
text/plain |
|
| dc.language |
eng |
|
| dc.publisher |
University of Edinburgh. Edinburgh College of Art. Reid School of Music |
|
| dc.relation |
Wilson GB, MacDonald RAR (2015) "Musical choices during group free improvisation: A qualitative psychological investigation" doi: 10.1177/0305735615606527 |
|
| dc.relation |
https://doi.org/10.1177/0305735615606527 |
|
| dc.rights |
Authors who publish using this dataset are required to add the data creators and artists credited on each separate recording as co-authors. Otherwise, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License terms apply. http://creativecommons.org/licenses/by-nc-nd/4.0/ |
|
| dc.subject |
collaboration |
|
| dc.subject |
creativity |
|
| dc.subject |
music |
|
| dc.subject |
qualitative |
|
| dc.subject |
groups |
|
| dc.subject |
identities |
|
| dc.subject |
interaction |
|
| dc.subject |
improvisation |
|
| dc.subject |
Creative Arts and Design |
|
| dc.title |
Meanings of Interaction Among Musicians Improvising (MIAMI) |
|
| dc.type |
sound |
|
| dc.coverage |
Edinburgh |
|
| dc.coverage |
Newcastle |
|
| dc.coverage |
UK |
|
| dc.coverage |
UNITED KINGDOM |
|
| dc.coverage |
start=2014-03-25; end=2014-06-27; scheme=W3C-DTF |
|