| dc.creator |
Crombez, Thomas |
|
| dc.date |
2021-02-10T12:58:18Z |
|
| dc.date |
2011-01-14 00:00:00 |
|
| dc.date |
2020-04-01T15:23:26Z |
|
| dc.date |
2008 |
|
| dc.date.accessioned |
2023-02-17T21:08:39Z |
|
| dc.date.available |
2023-02-17T21:08:39Z |
|
| dc.identifier |
365431 |
|
| dc.identifier |
OCN: 808385153 |
|
| dc.identifier |
http://library.oapen.org/handle/20.500.12657/34700 |
|
| dc.identifier |
https://directory.doabooks.org/handle/20.500.12854/28469 |
|
| dc.identifier |
https://library.oapen.org/bitstream/20.500.12657/34700/1/365431.pdf |
|
| dc.identifier |
https://library.oapen.org/bitstream/20.500.12657/34700/1/365431.pdf |
|
| dc.identifier |
https://library.oapen.org/bitstream/20.500.12657/34700/1/365431.pdf |
|
| dc.identifier |
https://library.oapen.org/bitstream/20.500.12657/34700/1/365431.pdf |
|
| dc.identifier.uri |
http://localhost:8080/xmlui/handle/CUHPOERS/245065 |
|
| dc.description |
What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself. |
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| dc.format |
image/jpeg |
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| dc.format |
image/jpeg |
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| dc.format |
image/jpeg |
|
| dc.format |
image/jpeg |
|
| dc.language |
dut |
|
| dc.publisher |
Academia Press |
|
| dc.rights |
open access |
|
| dc.subject |
anti-theater |
|
| dc.subject |
historische avant-garde |
|
| dc.subject |
theater |
|
| dc.subject |
antonin artaud |
|
| dc.subject |
historical avant-garde |
|
| dc.subject |
bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DD Western Continental Europe::1DDF France |
|
| dc.subject |
bic Book Industry Communication::2 Language qualifiers::2A Indo-European languages::2AC Germanic & Scandinavian languages::2ACF Flemish |
|
| dc.subject |
bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JJ 20th century |
|
| dc.subject |
bic Book Industry Communication::5 Interest age & special interest qualifiers::5A Interest age / level::5AX For emergent readers (adult) |
|
| dc.subject |
bic Book Industry Communication::A The arts::AN Theatre studies::ANB Theatre: individual actors & directors |
|
| dc.subject |
bic Book Industry Communication::D Literature & literary studies::DD Plays, playscripts |
|
| dc.subject |
bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSG Literary studies: plays & playwrights |
|
| dc.title |
Het anti-theater van Antonin Artaud. Een onderzoek naar de veralgemeende artistieke transgressie, toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio |
|
| dc.resourceType |
book |
|
| dc.alternateIdentifier |
9789038212739 |
|
| dc.alternateIdentifier |
10.26530/OAPEN_365431 |
|
| dc.licenseCondition |
open access |
|
| dc.licenseCondition |
n/a |
|
| dc.licenseCondition |
n/a |
|
| dc.licenseCondition |
n/a |
|
| dc.licenseCondition |
n/a |
|
| dc.identifierdoi |
10.26530/OAPEN_365431 |
|
| dc.relationisPublishedBy |
13bfe6ff-4920-4639-b009-9a95232060a4 |
|
| dc.relationisbn |
9789038212739 |
|
| dc.pages |
336 |
|
| dc.placepublication |
Gent |
|