Sangam: A Confluence of Knowledge Streams

The Michiana Aesthetic: Community and Collaboration in an Emerging Pottery Tradition

Show simple item record

dc.contributor Shukla, Pravina
dc.creator McGriff, Meredith A.E.
dc.date 2016-09-06T18:00:38Z
dc.date 2016-09-06T18:00:38Z
dc.date 2016-08
dc.date.accessioned 2023-02-21T11:20:36Z
dc.date.available 2023-02-21T11:20:36Z
dc.identifier http://hdl.handle.net/2022/20980
dc.identifier.uri http://localhost:8080/xmlui/handle/CUHPOERS/253083
dc.description Thesis (Ph.D.) - Indiana University, Folklore and Ethnomusicology, 2016
dc.description Drawing on extensive ethnographic field research, this dissertation explores the professional lives of a group of potters in Michiana, an informal region centered around the border of northern Indiana and southern Michigan. It focuses on the emergence and ongoing development of a regionally specific pottery tradition, which has been built over the last twenty to thirty years by a growing group of potters, most of whom note that the presence of additional, likeminded potters is a major reason they choose to pursue their craft in this location. While previous material culture studies in folklore have often focused on tracing the social life of a certain type of object, this study looks at professional potters as an occupational group and considers the significance of developing a strong sense of community with others in the same profession. Much of the premise of this dissertation lies in the fact that presence matters; local places, personalized spaces, and face-to-face interactions are crucial to these potters in many ways, even when they do not work in the same studio together. These individual artists rely on numerous social connections: through a shared history, religion, and/or lifestyle preferences; through communal educational spaces and the development of vocational habitus; through the collaborative process of wood firing and liminal experiences; through the objects they exchange, collect, and hold dear. The included chapters each illuminate one of these social connections that is of benefit, and reveals how each aspect has played a role in the development of a sense of community among the potters who share a vocation in Michiana. Throughout the text, embodied experiences such as sense of space, physicality of the work, and the tactile experience of pottery play a key role in the potters’ shared understanding of their work. As a whole, this study suggests a structured approach for the ethnographic study of the social lives of contemporary artists and demonstrates the importance of acknowledging the everyday interpersonal and embodied connections that influence an individual artist.
dc.language en_US
dc.publisher [Bloomington, Ind.] : Indiana University
dc.subject ceramics
dc.subject occupation
dc.subject folklore
dc.subject embodiment
dc.subject ethnography
dc.subject network
dc.title The Michiana Aesthetic: Community and Collaboration in an Emerging Pottery Tradition
dc.type Doctoral Dissertation


Files in this item

Files Size Format View
McGriff, Meredith.pdf 17.38Mb application/pdf View/Open

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Advanced Search

Browse