Sangam: A Confluence of Knowledge Streams

The Word Made Flesh: The Bible, Gender, and Embodiment in Milton's Poetry

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dc.contributor Edwards, Karen
dc.contributor McDowell, Nicholas
dc.creator Parslow, T
dc.date 2022-12-05T17:11:13Z
dc.date 2022-11-28
dc.date 2022-12-02T09:31:27Z
dc.date 2022-12-05T17:11:13Z
dc.date.accessioned 2023-02-23T12:18:33Z
dc.date.available 2023-02-23T12:18:33Z
dc.identifier http://hdl.handle.net/10871/131955
dc.identifier.uri http://localhost:8080/xmlui/handle/CUHPOERS/258727
dc.description Arguing for the marginality of the Bible in current studies of John Milton might strike some readers as absurd. That Milton read and engaged with the Bible in his writings is clearly evident, and the Bible’s centrality to his work is readily granted by almost every scholar working in the field. So obvious is his biblical engagement, that his particular method of reading the Bible and re-imagining of it in his poetry is a subject that scholars have surprisingly neglected. Drawing upon the most recent developments within the history of reading, my thesis will seek to broaden the current field of research beyond Milton’s use of the Bible purely as a literary source in order to investigate Milton’s particular way of reading the Bible. Beginning with a theoretical and historical approach, Chapter 1 will investigate the cultural and religious contexts of Bible-reading and interpretation in seventeenth-century England. My thesis will then turn to consider three of Milton’s major poetic works in turn: Comus, Paradise Lost, and Samson Agonistes. Adhering to the overarching theme of the female embodied, the following chapters will present individual case studies. Chapter 2 demonstrates that, in Comus, Milton “confers” the Lady’s plight with that of Dinah in the Bible, a pairing that has not been hitherto recognized. In Chapter 3, I argue for a re-reading of Satan’s first experience of pain during the War in Heaven in light of Milton’s engagement with the biblical motif of labouring pain in Paradise Lost and its postlapsarian significance. Continuing an investigation of the overarching themes of female speech and corporeality in Milton’s major poetry, Chapter 4 investigates Dalila’s speech in Samson Agonistes and its allusion to the biblical metaphor of milk and honey in the Bible. Centring my research within a biblical framework, my thesis seeks to take the focus of current studies of Milton and the Bible back one step in Milton’s process of composition, from his writing and his readers, to the contemplative and introspective processes behind his own reading and re-imagining of the Bible. This thesis will thereby demonstrate Milton’s particular method of reading and re-imagining the Bible.
dc.language en
dc.publisher University of Exeter
dc.publisher English
dc.rights 2024-05-28
dc.rights This thesis is embargoed until 28/May/2024 as the author wishes to publish their research.
dc.rights http://www.rioxx.net/licenses/all-rights-reserved
dc.subject John Milton
dc.subject Milton
dc.subject Bible
dc.subject Bible Reading
dc.subject Gender
dc.subject Women
dc.subject Embodiment
dc.subject Bodies
dc.subject Seventeenth Century
dc.title The Word Made Flesh: The Bible, Gender, and Embodiment in Milton's Poetry
dc.type Thesis or dissertation
dc.type PhD in English
dc.type Doctoral
dc.type Doctoral Thesis


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